MEKLIT – WHEN THE PEOPLE MOVE, THE MUSIC MOVES TOO
- This Was Made Here
- I Want To Sing For Them All (featuring Andrew Bird)
- You Are My Luck (featuring Preservation Hall Horns)
- Yerakeh Yeresal (featuring Andrew Bird)
- You Got Me (featuring Preservation Hall Horns)
- Yesterday Is A Tizita
- Human Animal
- Sweet Or Salty
- Birthday Song (featuring Preservation Hall Horns)
- Memories Of The Future (featuring Preservation Hall Horns)
ABOUT THIS RELEASE
Release Date: June 23, 2017
There are many well-appointed rooms in the mansion that is Meklit and her breathtaking new album sounds at home in every one. The Ethiopian-born Oakland- based artist has belted “Cold Sweat” with James Brown saxophonist Pee Wee Ellis, co-founded the visionary pan-African Nile Project ensemble, and lectures widely about liminal identities as a TED Senior Fellow. Along the way she’s released a series of disparate recordings documenting her evolution as a songwriter, vocalist and bandleader.
When the People Move, the Music Moves Too, slated for May 5, 2017 release on Six Degrees Records, reveals her startlingly beautiful new sound that seamlessly merges East Africa and the African diaspora via an intimate, rhythmically charged body of songs recorded in Addis Ababa, Los Angeles, New Orleans and San Francisco. A collaboration with Grammy Award-winning songwriter and producer Dan Wilson (Adele, Dixie Chicks, Taylor Swift), the album is built on Meklit’s jazz-steeped working-band featuring bassist Sam Bevan, drummer Colin Douglas, and Marco Peris Coppola on frame drum tupan and other hand percussion. Meklit accompanies her translucent, soul-sated vocals on guitar and the six-string krar, an Ethiopian lyre, while Howard Wiley provides pleasingly pungent counterpoint on tenor and baritone saxophones.
She’s joined by a far-flung array of masters, including Andrew Bird on violin and whistling, the Preservation Hall Jazz Band horns, plus a triumvirate of traditional Ethiopian musicians, and top-shelf players from LA and the Bay Area. All of these deep musical currents flow into Meklit’s shimmering, dance-inducing sound, which turns the San Francisco Bay Area into a jazz outpost of Ethio-Crescent City soul. As the album’s title suggests, Meklit makes music about movement, about bodies transporting culture through space and time, and the power of sound to set people and social movements in motion.
“This is what happens when an Ethiopian family comes as refugees to the United States, and makes social and cultural contributions in all kinds of ways,” says Meklit. “It’s impossible not to think about where American culture is going. Who are we? How can we have a more inclusive society? This is Ethiopian-American music, and it’s feels like what I’ve been trying to do dreaming up for a decade.”
Since the release of her acclaimed 2010 debut album On A Day Like This… (Porto Franco Records), Meklit has become an international force. As a TED Fellow, she launched the Arba Minch Collective, a group of expat Ethiopian artists devoted to nurturing ties to their homeland by collaborating with traditional and contemporary artists back home. She also delved into American soul music with rising Oakland singer/songwriter Quinn DeVeaux on 2012’s Meklit & Quinn (Porto Franco Records), putting an indelible stamp on songs by Lou Reed, Sam Cooke, Arcade Fire, Stevie Wonder, and Talking Heads. Her soul queen coronation took place on stage at Yoshi’s, where she made a memorable appearance as part of saxophonist Pee Wee Ellis’s show “Still Black, Still Proud: An African Tribute to James Brown.”
Meklit’s Six Degrees debut, 2014’s We Are Alive, catapulted Meklit into global prominence as a singer/songwriter, garnering rapturous reviews and an uproariously entertaining video “Kemekem (I Like Your Afro).” At the same time she was co-founding the visionary Nile Project with Egyptian ethnomusicologist Mina Girgis; a collective ensemble bringing together over 30 East African artists who hail from the 11 countries traversed by the Nile, the organization has evolved into a creative force introducing new ideas for
preserving and protecting the life-giving river and the peoples who depend on it.