Selected by Bossacucanova’s
DJ
Dalua, and Ziriguiboom’s
Béco
Dranoff and Marc Hollander, this collection features
kicking tracks recorded in the ‘70s by the most significant members of the Samba
Soul movement.
In the late Sixties, the influence of the Black Power
movement inspired musicians in Rio and São Paulo to create their own
Afro-Americano-Brazilian hybrid, bringing together elements of soul/R&B and
Samba. Brazilian Black Music (or Samba Soul) was born, and went on to transform
the music of the next decade.
01 Erlon Chaves:
Cosa Nostra
Throughout the ‘70s, composer, arranger and pianist
Erlon Chaves led Banda Veneno which featured the best musicians around. His
repertoire was a funkified mixture of international hits and Brazilian classics;
the Jorge Ben song included here is a good example of the
latter.
02 Wilson Simonal: Não Vem Que Não
Tem
Wilson Simonal, from Rio de Janeiro, started singing in
suburban dance halls, recording his first album in 1963. A popular star from the
mid-‘60s to the early ‘70s, he was invited to host his own TV show. His unique
blend of swing and samba earned a special place in the hearts of Brazilian
fans.
03 Som Três: Homenagem A
Mongo
Som Três, formed in the late ‘60s by acclaimed pianist,
composer, arranger and producer César Camargo Mariano, included bassist Sabá
Oliveira and Toninho Pinheiro on drums. César founded the classic "Sambalanço
Trio" and, in 1968, the "Octeto César Camargo Mariano,” the latter blending jazz
and bossa nova. During the ‘70s, César produced and arranged three Elis Regina
albums.
04 Di Melo: A Vida Em Seus Métodos Diz
Calma
From the northeastern state of Pernambuco, Di Melo
remains a mysterious figure even among Brazilian record collectors. "A Vida Em
Seus Métodos Diz Calma" was the title track from his 1975 release and included
such noteworthy guests as multi-instrumentalist Hermeto Pascoal and guitarist
Heraldo do Monte.
05 Wanderléa: Mané
João
Wanderléa is one of the key figures of the "Jovem
Guarda" ("Young Guard"), a movement which was influenced by the aesthetics of UK
pop bands and whose fun and sometimes quirky sound rocked Brazil in the
mid-‘60s. Today Wanderléa is in her fifties and still keeps a youthful
appearance, always sporting her trademark
mini-skirt.
06 Dom Salvador & Banda Abolição:
Guanabara
Pianist and arranger Dom Salvador has played with such
artists as Jorge Ben, Elis Regina, Edú Lobo, Silvia Telles and many more. The
groundbreaking LP Dom Salvador &
Abolição was released in 1971 and was a landmark in the Brazilian Black
movement, laying the foundations for Banda Black
Rio.
07 Milton Banana Trio: Fato
Consumado
Milton Banana is widely recognized as an innovator who
adapted the bossa nova beat for the drum kit. He took part in several historic
sessions, such as João Gilberto's original recording of "Chega de Saudade", the
classic Getz/Gilberto sessions, as well as recordings with Jobim, João Donato
and many more. Milton also played the historic Carnegie Hall concert in New York
in 1962, which launched the bossa nova craze in the United States. After
returning to Brazil he founded the Milton Banana Trio with which he recorded
several albums.
08 Elis Regina:
Bicho Do Mato
Elis Regina was one of Brazil's most talented and
popular female singers ever. Her singing was full-throated and full of rhythm,
the opposite of the cool and jazzy ‘60s bossa sounds. On stage her riveting
presence, energetic and down-to-earth, galvanized audiences. Elis recorded some
of her best albums during the ‘70s, including the magical Elis & Tom with Tom Jobim, still
considered to be among the best Brazilian records. Elis passed away prematurely
in 1982, at age 36.
09 Bebeto: Princesa Negra De Angola
A real Paulista, groovemeister and guitarist, Bebeto moved to Rio in the late ‘70s, soon
becoming a star of suburban balls and parties. His funky and soulful grooves
were inspired heavily by Jorge Ben and Tim Maia. Credited as one of the creators
of the funky guitar licks that are a trademark of Samba Soul, Bebeto has
released over twenty albums.
10 Elza Soares: Saltei De
Banda
Elza Soares (a.k.a the "Brazilian Tina Turner") was
born in Rio in 1930. Her husky voice and a penchant for samba-scat singing were
already present on her earliest recordings. Married to Brazilian football hero
Garrincha, she enjoyed a long string of hits during the ‘60s and ‘70s, then sank
into obscurity until being "rediscovered" by Caetano Veloso who asked her to
duet on a track in the mid-‘80s. In 2000, Elza received a "Singer of the
Millenium" award from the BBC in London.
11 Orlandivo: Onde Anda O Meu
Amor
Orlandivo performed as the crooner for Ed Lincoln's
band for over 30 years, appearing also in feature films and on TV. His singing
style is characterized by a unique pronunciation and his ability to create and
improvise new lyrics in Portuguese. He has more than 250 compositions to his
name.
12 Branca Di
Neve: Nêgo Dito
Another Paulista, Branca Di Neve died prematurely in
1989. During his short solo career, Branca recorded two albums. An ace "surdo"
(strapped bass drum) player, Branca performed with acts such as Jorge Ben, Nara
Leão, and Baden Powell.
13 Banda Black
Rio: Maria Fumaça
Formed in Rio in 1976 by the late sax player Oberdan
Magalhães, their trademark fusion of samba, jazz, funk and gafieira style was
extremely influential in the history of Black music in Brazil. Released in
1977,"Maria Fumaça" became their first major hit, broadcast every night for
months as the opening theme for a TV soap opera. They recorded two more albums:
Gafieira Universal (1978) and Saci Pereri
(1980).
14 De Savoya Combo: Jogaram O
Caxangá
The founder of De Savoya Combo, Ed Lincoln was born in
1932 in the north of Brazil and arrived in Rio in 1951. Initially playing
upright bass, Lincoln achieved his greatest popularity as an electric organist
almost by accident, standing in for a sick friend. He recorded countless hits
and in 1969 launched one of Brazil's first independent labels, Savoya
Discos.
15 Gal Costa: Barato
Total
Born in Bahia in 1946, Gal Costa was part of the
original nucleus of the Tropicalista movement, along with Caetano Veloso, Maria
Bethania and Gilberto Gil. Her early albums were among the most wildly
experimental tropicalia recordings. Since the late ‘60s she's developed a
tremendous career, using her crystal-clear voice to enchant legions of fans in
Brazil and, since the Aquarela do
Brasil album in 1980, around the
world.
16 Trio Mocotó: Que Nega É
Essa
Pointed out by many as the "Fathers of the Samba Soul
beat,” this cult trio from São Paulo was formed in the late ‘60s. The three
friends - Nereu, Fritz and João Parahyba - became successful in 1969, when they
met and played with Jorge Ben. After their first hit single ,"Coqueiro Verde"
they went on to record three albums which have now become collectors items
sought out by DJs the world over. In the late ‘90s João Parahyba was closely
associated with Suba and played most of the percussion on the acclaimed São Paulo Confessions album. The trio's
original members have just reunited to record a new
album.
Six Degrees Records is proud to be the exclusive North
American partner of Ziriguiboom (Crammed Discs’ Brazilian imprint). Ziriguiboom
is dedicated to presenting original and as-yet unexposed aspects of Brazilian
music to an international audience. |